Friday, February 18, 2011

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Better a fascist than a libertarian today, yesterday, today and tomorrow When

And I do not want to understand. They do not want capire che i ragazzi cresciti con la tv, cresciuti a pane-cinema-libri e svaghi - dallo sport alla riunione in parrocchia, dal fumetto alla canzone del momento - non sono quelli degli anni Quaranta-Cinquanta, perché quei ragazzi affrontarono lo loro esigenze, ed ebbero modi e tempi diversi per lasciar sposare il sostantivo dei sostantivi, la libertà, alla più ordinaria delle esistenze .
  Ce lo hanno spiegato i grandi scrittori e giornalisti, col loro vissuto: da Montanelli a Flaiano da Brancati a Pasolini, ce lo hanno spiegato fior di saggisti e filosofi, ma ancora oggi possiamo dire che è stato quasi inutile .
  In Italia, fra giovani e meno giovani che si definiscono di “destra”, esiste una sorta di ideologia dell’“eterno”, un qualcosa che sta a metà fra un tradizionalismo balbuziente (del quale si capisce poco o nulla) e una sfiducia assiomatizzata verso il progresso. “Come si stava bene ics secoli fa” o “Ai tempi in cui c’erano le caste…”: frasi e motti che dopo aver letto non Freud ma solo Mark Twain, andrebbero immediatamente derubricate a barzelletta degna del miglior Berlusconi .
Still, it's still going on so that a certain "environment" without paying heed to phrases, the antediluvian jokes, readings of the lowest order, rumors of imaginary plots, egocentrism to shoot in a suit-and-tie, is the way it goes ahead despite the efforts of people with few resources, updates, themes, dialogue and phrase books at the time (to his and ours). Despite the efforts of those who filled that "thing" called "right" of meanings from the third millennium, he decided to leave aside those archaeological from the third century.
Among the main supporters of a "right" last new Lanna Luciano, director of the Century of Italy, today more than ever combative newspaper. Here we will talk about his latest book, in bookstores in recent days: The Fascist Libertarian (Sperling & Kupfer, with a preface by Luca Barbareschi) .
A journey between cultural contradictions policies of all "natural" (because the twentieth century is the century of contradictions, both large and small, "benign" and "evil" of the conservative revolution, revolutions are discovered regime of Nietzsche right and left of the avant-garde that becomes mainstream, the atheists who make peace with the Church and of Catholics who are also communists), and contradictions of all "unwanted" because those born in the Sixties knows that, for the second half of the twentieth century, you can not use a lexicon "political" from the French Revolution. Lanna writes long, many do not realize it .
Let's say the late 'Sixties, and even of long Sixty. By the early sixties, including university students struggled on the rebellious American culture. Kerouac was on the lips of Italian students, the myth of an America indecipherable (good or bad it was) added another paragraph to his not very long history. Well, how to classify those young people who discovered the Zen practice, they loved Hemingway, Pound, and admired in Europe, which, in the words of Massimo Teodori, 'rebelling' to a 'social order' middle class has risen to new conformism ?
Even Evola had some difficulty in distinguishing the beat in the first "positive" from "negative", and had difficulty (he was a young man "representative" of the avant-garde Dada ie, collector of mistakes and contradictions), because he was a man of the nineteenth century. Why was a conservative (read the book by Alberto Lombardo, Evola, the evoliani and antievoliani , for example). What's more, because it was a catastrophe. Evola was to an "anarchist" right wing that gave confidence to the future zero-and the phenomena that is not motivated by his idea of \u200b\u200b"Tradition" utopia born against the modern world ready to be transformed into what could easily labeled as Vittorini art or literature mere consolation.
Lanna, although it appreciates the rebel coté Evola writes not for the first time but for the first time in a millennium pretty stingy with ideas and books ( Save again, very stimulating essay by Roberto Alfatti appetites, the crews siam comics, already reviewed on line in recent days), an 'open horizon of politics ", marked by a stake that is not compartmentalized, but" ignorant ", going beyond the ideologies and worldviews inherited from one or two centuries of stories ad usum delphini , and is popular, never deaf to the forms "Gramscian" and neither was Italy after World War II. Which ultimately is responsible and unrelated to the hearsay, not participation, frankly laughable, of a young Accio Benassi who won the card to "beam" would only enrich the world of his nonsense .
Remarkably, besides encouraging to finally, that Lanna opens his book with the pasta sauce on the "right" with Mussolini and then Almirante, ending with a eulogy of the fighters of the Italian Social Republic (although mentioned), and young and old of '43 that would have saved the honor of Italy ... No, Lanna opens talking about his experiences as a boy in 1960 (born fifteen years after the war!) Of the Beat generation , complexes that have shaped the history of pop in Italy "Nomads" e “Dik Dik”, dell’ecologia i cui temi “urgenti” sarebbero esplosi ben più in là degli anni fascistissimi, e delle nuove frontiere della coscienza religiosa che non c’entrano nulla col Concordato, ma semmai col più “moderno” Concilio di Giovanni XXIII e Paolo VI .
  Il biglietto da visita di Lanna non è “risorgimentale” e “fascista” insomma, nel significato anche gentiliano che la combinazione dei termini suggerisce a chi mastica di dottrina, ma libertario tout court (l’ossimoro the title, we believe, is a tribute to the best past, his and ours ...), because that is the figure of his libertarian and our time, revealed through the work of "masters" who were able to say no to the schemes or who were exiled because "unpresentable" .
Before Tolkien (myth for the "hippie") and films on the freedom to be won at great cost, as Easy Rider, a manifesto of the "New Hollywood "Then again the political experience in a world that is changing, between the sixties and seventies, as changed at the dawn of the twentieth century. Obviously Lanna is formed on the authors of a "right" exit apart by war, what was the basis of our imagination. From the "collaborators" French Ernst Jünger (who was no longer that of the years of youth). These authors today, except for some "junk", are cornerstones of the international literature. It is useless to name them .
Some have given the Nobel. Others were denied on grounds of "opportunities" policy. For still others, finally, will negate the "celebrations" for the fiftieth anniversary of the death. So goes the world ... A legacy of the "right", just to ride the "contamination", which is not only "right" and that has turned into hard cash for a "left" free, educated and intelligent .
Now that ideologies are buried, now that the policy needs new resources, it is time that you return the favor ...

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