Shelfield Stainless Steel Pocket Knives

Mark Iacona, booklet published by the liberalism Solfanelli (series "Knowledge") As we were

Il liberalismo, l'unica vera rivoluzione dei tempi moderni, spiegato in breve.

Una corrente politica e di pensiero che si pone, alla prova dei fatti, come punto di non-ritorno, una meta conquistata tappa dopo tappa: l'orizzonte di una liberazione del genere umano .

L'acquisizione del concetto nuovo di libertà presuppone l'abbandono lento ma categorico di qualsiasi vincolo comunitario e/o trascendente. Ma l'individuo soggetto pensante e libero attore, l'individuo in nome e per conto del quale il liberalismo si è battuto, non ha ancora vinto alcuna scommessa. Poteva farlo ?

Invitation Wording Pay For Their Own Meal

Red Ring of Death.

Sounds like a death metal band, and instead has led the friendly name given to the xbox 360 when there is an error in the console. Happened recently, and I give you advice do not waste time calling customer service Italian on Saturday, do not work -.-


(my xbox360, hope is still under warranty ..) What about

apart "that bad luck"?

Au \u200b\u200brevoir. (

Wishing Happy Journey Sms

A Catania di speciale c’è anche questo. Qui le stagioni non sono come le abbiamo imparate a scuola, non durano pochi mesi e non si susseguono con un ordine stabilito e regolato dai cicli della natura. No, a Catania può capitare che inverno e primavera durino degli anni e può anche capitare che la gente accolga l’evento con la tipica scrollata di spalle del siciliano rassegnato. «E chi cci putemu fari?». And so on, until you do not know what the phenomenon, a "new" that might give the scossettina to change everything, so all that remains always equal to itself ...

To tell the penultimate decade of "our" Catania (ie the nineties), we thought King Charles I, former student of the extreme right, in a book out recently (Spring of Catania, Enzo Bianco and Nello Musumeci and consensus between government , Bonanno, pp. 150, € 13.00), built on the figures of two administrators and political protagonists the decade 1993-2003, the decade of the "spring of Catania", namely the revival of the city, the desire to exit the tunnel of the 100 murder victims a year of ill repute, lace-wear and existential precariousness .

Enzo Bianco (former Republican mayor of Catania from '93 to '99, then Interior Minister D'Alema government) and Nello Musumeci (President province of Catania from 2003 to '94, former MEP and MSI doc stravotato), two young Sicilians different but basically so similar. The first is career with the La Malfa father and son, was elected mayor of Catania in disbelief, for the first time in '88, but just a little over a year to figure out what stuff is done. Already in the end of the decade, when Catania is an untranslatable lot of ill repute, thanks to him begins to breathe fresh air, clean. Catania I remember it a few years later, when thanks to the law for the direct election of the mayor to send him directly to rule over the town after a runoff with Claudio Fava, Goofy's son, killed by the Mafia .

  Musumeci, invece, è “allievo” di Enzo Trantino, monarchico, avvocato di fama e gran signore e di Vito Cusimano missino d’antica foggia. Ammira Almirante (in verità chi non ammira o ammirava Almirante a Catania?), ed è testardo e battagliero. Quando nel febbraio del ’94 vince al ballottaggio col docente centrista Mangiameli, anche la sinistra comincia a innamorarsi di lui .

  In realtà a quel tempo, a Catania, dire cosa è di destra o cosa di sinistra è un bel problema. È un esempio (in positivo) the end of ideology. What matters are the facts and "facts" of our two managers are specialists. Inaugurate a season of dialogue with the citizens as he had never seen before (want to put a gray bureaucrat Democrat, struggled with Italian running a guest on TV?), Like culture (yes, Catania had a culture with capital C, if you can), and enter into a period of collaboration between research institutions, universities, church, police forces and the freedom of association. In the nineties in Catania crimes decreased by a couple of zeros and companies discover new opportunities to highlight and export the "product" Etna. In 2000 Catania shows how our country growth model to the European Council in Lisbon. It is the victory of a "piece of the world" forgotten. There is optimism (especially among young people, who are given what basically seek opportunities to show off, and tools for planning the future). The results are these: the international center "Etna Valley" long-haul roads, work for the port, airport and subway .

The beauty of the city seem to flourish: with old and new buildings and theaters. Museums are born, si inaugurano mostre (nella storia quella dei “futuristi” e degli “aeropittori” al centro “Ciminiere”, già pietra dello scandalo della tangentopoli catanese). La città prende vita: d’estate con Franco Battiato, Vincenzo Spampinato e l’“Etna Jazz” e in qualunque periodo della stagione con la “movida” e i pub in stile irlandese .

Tutto bene dunque. Già… solo che il finale del libro di Lo Re è triste come una poesia di Emily Dickinson. Dopo l’uscita di scena dei due “mattatori” rimane ben poco, solo il ricordo di una stagione irripetibile. Una “primavera” lunga dieci primavere. Come solo a Catania può succedere .

How Fix Tech Deck Skin

scandal to call Gide

André Gide è stato uno degli ultimi scrittori liberi e sinceri della vecchia Europa o, forse, dell’intero pianeta. Un uomo che perfino dopo la morte, avvenuta sessant’anni fa a Parigi, il 19 febbraio del 1951, continuò a essere disapprovato a causa delle scelte di vita e delle opinioni politiche. Quando però un artista riceve così tante critiche (ma anche tanti elogi, perché quattro anni prima di morire Gide ricevette il Nobel per la letteratura), difficilmente può essere considerato an ordinary man. For those not familiar point in our country lived and thought, only a man can be brought to the writer born in Paris in 1869: Pier Paolo Pasolini .

For a long time was considered less a perfectionist with no real depth, first at that depth and spirit that had characterized even the French literature his time. Approached also by Marcel Proust and Paul Valery, then the elite of transalpine letters, often, however, there was talk of him as a capricious landlord from the pen easy, convenient claims by a man (Had no children by his wife, but wishing it got from a friend's daughter), guilty of never having been committed for the literature part, together with policy, resolution "practice" of the evils of humanity. He was also criticized for its "vanishing" during the German occupation in World War II and especially his relationship with Communism .

encyclopedia In 1952, ironically as an adjective "modern" - and then published a year after the death of Gide - you law that the writer had "abnormal tendencies" (sic), many journalists and critics, forty years ago, but even now if we make the case, have difficulty expressing an opinion on the books of Paris, many of them autobiographical, Oscillating between the "trust" in Christian morality (and stiff tax) and the "trust" in freedom of action. And the difficulty is, of course, by his homosexuality. As it was, and is the PPP, the profile of the writer and conditions strongly conditioned the opinion on its influence. But even more homosexuality, which at the time was a big deal and that the writer hid up to a certain point in life, is the ambiguous relationship the Communists not to please the critics. Fast of Marxism, and enthusiastically joins Gide perfect naive to communism and its formulas "magic". During a trip to Congo and Chad, in the twenties, with his friend Marc Allegret, is struck by the harsh conditions of the colonized people, a passion for their condition, politics and ideas that promise freedom without any distinction. But then if they repent and - even worse - put him twice in writing to the end of a journey into the mysterious lands of the USSR in the thirties. How many "friends" of travel - but Gide is a bit 'more sincere - he realizes that the promises of communism in situations "real" are nothing but a gross lie. The dream of freedom that Westerners find in the East does not really exist. And in the Soviet republics homosexuals are treated like animals, worse than countries Puritans ... Obviously, the Quaranta when communism is about to triumph, someone manages to charge the "vice of freedom," a man who is honest Intellectual its flag.

They give him the "Fascist" (But he is not, in fact refused to cooperate with the Germans), a thesis "supported" by the fact that his detachment from politics after the war, it becomes final. For him, as for other intellectuals, is ready damnation, not to be one of many to quote Vittorini "piping for the revolution" and shrugged essersene officially rules of good conduct. " Yeah ... Great reader of Nietzsche, Schopenhauer, but also, an admirer of Dostoevsky, Camus forerunner of our point of reference for surrealists and existentialists, Gide is one example of a life outside limit of rules, rules that because of very strict education, received at home and in schools in Alsace, they become real straitjackets.

Thanks to his work first, then soak it for delivery to the author's own will ( The Notebooks of André Walter - 1891, translated by us for Bloomsbury Publishing), Gide approaches Maurice Barres and Stephane Mallarme, Oscar Wilde after he discovers and alerts the "danger" of his lifestyle. But of "deeds" and habits of the writer dandy, Gide also perceives with clarity a "charm" to which eventually can not say no. Just two years and in '93, with friend Paul Laurens, he left for North Africa and Italy in search of sexual adventure (narrated then it Immorality ). It is the first in a series of journeys applicants undertaken with his wife Madeleine. In followed in many rebuked him for being one of the "creators" of that 'habit "now known as" sex tourism ". Some like Paul Claudel and Francois Mauriac Nobel future after "convicted" is "simply" to pray for healing .

Even the critics, meanwhile, seems to have targeted despite some opinions on his work to be flattering (the narrow gate , 1909), Gide is not feel understood and can not stand the habit of critics to interpret too autobiographical characters in his books. The decades of the century, however, are the best, those in which Gide manages to give the best of himself. Birth of the prestigious journal Nouvelle Revue Francaise , public Underground Vatican, which for a wry touch, or do not like the Catholics or to atei e inizia a scrivere Corydon un saggio che affronta finalmente i pregiudizi sull’omosessualità ispirato ai dialoghi di Socrate. Il lavoro (una difesa a tratti molto nobile dell’omosessualità), forse oggi non fra i più noti, esce in modo completo e non anonimo solo nel 1924. Fra i suoi libri migliori: I falsari , l’opera che Gide considera il suo unico vero romanzo, e i fondamentali Se il seme non muore e Diario 1889-1939 (in Italia in tre volumi per Bompiani) .

Per comprendere quello che Gide ha dato alla letteratura occorre From a consideration, namely that his diary is essential to know the French culture of the time, and then of course also the reason given by the Academy of Sweden for the award of the Nobel: "To humanity el ' importance of his artistic work in which all human problems have been gutted with a deep sense of truth and a great psychological acuity . No need to say more at a distance of sixty years, if not a sincere invitation to open its books.

Police Scanner Mobile Phone

Better a fascist than a libertarian today, yesterday, today and tomorrow When

And I do not want to understand. They do not want capire che i ragazzi cresciti con la tv, cresciuti a pane-cinema-libri e svaghi - dallo sport alla riunione in parrocchia, dal fumetto alla canzone del momento - non sono quelli degli anni Quaranta-Cinquanta, perché quei ragazzi affrontarono lo loro esigenze, ed ebbero modi e tempi diversi per lasciar sposare il sostantivo dei sostantivi, la libertà, alla più ordinaria delle esistenze .

  Ce lo hanno spiegato i grandi scrittori e giornalisti, col loro vissuto: da Montanelli a Flaiano da Brancati a Pasolini, ce lo hanno spiegato fior di saggisti e filosofi, ma ancora oggi possiamo dire che è stato quasi inutile .

  In Italia, fra giovani e meno giovani che si definiscono di “destra”, esiste una sorta di ideologia dell’“eterno”, un qualcosa che sta a metà fra un tradizionalismo balbuziente (del quale si capisce poco o nulla) e una sfiducia assiomatizzata verso il progresso. “Come si stava bene ics secoli fa” o “Ai tempi in cui c’erano le caste…”: frasi e motti che dopo aver letto non Freud ma solo Mark Twain, andrebbero immediatamente derubricate a barzelletta degna del miglior Berlusconi .

Still, it's still going on so that a certain "environment" without paying heed to phrases, the antediluvian jokes, readings of the lowest order, rumors of imaginary plots, egocentrism to shoot in a suit-and-tie, is the way it goes ahead despite the efforts of people with few resources, updates, themes, dialogue and phrase books at the time (to his and ours). Despite the efforts of those who filled that "thing" called "right" of meanings from the third millennium, he decided to leave aside those archaeological from the third century.

Among the main supporters of a "right" last new Lanna Luciano, director of the Century of Italy, today more than ever combative newspaper. Here we will talk about his latest book, in bookstores in recent days: The Fascist Libertarian (Sperling & Kupfer, with a preface by Luca Barbareschi) .

A journey between cultural contradictions policies of all "natural" (because the twentieth century is the century of contradictions, both large and small, "benign" and "evil" of the conservative revolution, revolutions are discovered regime of Nietzsche right and left of the avant-garde that becomes mainstream, the atheists who make peace with the Church and of Catholics who are also communists), and contradictions of all "unwanted" because those born in the Sixties knows that, for the second half of the twentieth century, you can not use a lexicon "political" from the French Revolution. Lanna writes long, many do not realize it .

Let's say the late 'Sixties, and even of long Sixty. By the early sixties, including university students struggled on the rebellious American culture. Kerouac was on the lips of Italian students, the myth of an America indecipherable (good or bad it was) added another paragraph to his not very long history. Well, how to classify those young people who discovered the Zen practice, they loved Hemingway, Pound, and admired in Europe, which, in the words of Massimo Teodori, 'rebelling' to a 'social order' middle class has risen to new conformism ?

Even Evola had some difficulty in distinguishing the beat in the first "positive" from "negative", and had difficulty (he was a young man "representative" of the avant-garde Dada ie, collector of mistakes and contradictions), because he was a man of the nineteenth century. Why was a conservative (read the book by Alberto Lombardo, Evola, the evoliani and antievoliani , for example). What's more, because it was a catastrophe. Evola was to an "anarchist" right wing that gave confidence to the future zero-and the phenomena that is not motivated by his idea of \u200b\u200b"Tradition" utopia born against the modern world ready to be transformed into what could easily labeled as Vittorini art or literature mere consolation.

Lanna, although it appreciates the rebel coté Evola writes not for the first time but for the first time in a millennium pretty stingy with ideas and books ( Save again, very stimulating essay by Roberto Alfatti appetites, the crews siam comics, already reviewed on line in recent days), an 'open horizon of politics ", marked by a stake that is not compartmentalized, but" ignorant ", going beyond the ideologies and worldviews inherited from one or two centuries of stories ad usum delphini , and is popular, never deaf to the forms "Gramscian" and neither was Italy after World War II. Which ultimately is responsible and unrelated to the hearsay, not participation, frankly laughable, of a young Accio Benassi who won the card to "beam" would only enrich the world of his nonsense .

Remarkably, besides encouraging to finally, that Lanna opens his book with the pasta sauce on the "right" with Mussolini and then Almirante, ending with a eulogy of the fighters of the Italian Social Republic (although mentioned), and young and old of '43 that would have saved the honor of Italy ... No, Lanna opens talking about his experiences as a boy in 1960 (born fifteen years after the war!) Of the Beat generation , complexes that have shaped the history of pop in Italy "Nomads" e “Dik Dik”, dell’ecologia i cui temi “urgenti” sarebbero esplosi ben più in là degli anni fascistissimi, e delle nuove frontiere della coscienza religiosa che non c’entrano nulla col Concordato, ma semmai col più “moderno” Concilio di Giovanni XXIII e Paolo VI .

  Il biglietto da visita di Lanna non è “risorgimentale” e “fascista” insomma, nel significato anche gentiliano che la combinazione dei termini suggerisce a chi mastica di dottrina, ma libertario tout court (l’ossimoro the title, we believe, is a tribute to the best past, his and ours ...), because that is the figure of his libertarian and our time, revealed through the work of "masters" who were able to say no to the schemes or who were exiled because "unpresentable" .

Before Tolkien (myth for the "hippie") and films on the freedom to be won at great cost, as Easy Rider, a manifesto of the "New Hollywood "Then again the political experience in a world that is changing, between the sixties and seventies, as changed at the dawn of the twentieth century. Obviously Lanna is formed on the authors of a "right" exit apart by war, what was the basis of our imagination. From the "collaborators" French Ernst Jünger (who was no longer that of the years of youth). These authors today, except for some "junk", are cornerstones of the international literature. It is useless to name them .

Some have given the Nobel. Others were denied on grounds of "opportunities" policy. For still others, finally, will negate the "celebrations" for the fiftieth anniversary of the death. So goes the world ... A legacy of the "right", just to ride the "contamination", which is not only "right" and that has turned into hard cash for a "left" free, educated and intelligent .

Now that ideologies are buried, now that the policy needs new resources, it is time that you return the favor ...

How Many Bayers Can I Take

emotion lived in Sanremo

bad song, the music is more or less the same (do not remember a few months and there are no plagiarism), the record companies are the good and the bad time and space for freedom of the singers too little - at least not for the stars, that certain "freedom" if they can not afford (yet). Controversy over selections and grades, there are however many young people, and already one can see news of great interest ...

Sanremo 2011? No, dear boys, Sanremo 1971. We had a wipe in newspapers, riviste, pagine web (e qualche piccolo appunto personale), del festival di quarant’anni fa, per scoprire che, nell’Italia delle note, un po’ “gattopardianamente” tutto è cambiato per rimanere sostanzialmente com’era prima. E com’era prima? Era tutto un po’ italiano... tradizionalisti vs. sperimentatori, juventini vs. interisti, democristiani vs. comunisti… detrattori vs. difensori del festival. Quarant’anni fa c’era chi diceva che il festival fosse troppo poco esterofilo, chi che non lo fosse per niente; alcuni avrebbero voluto contestare perfino gli uscieri, altri (magari dopo aver urlacchiato un po’) si sarebbero accontentati di avere l’autografo di Don Backy or Cinquetti. Or to embrace the national-Adriano. The most intransigent of course, wanted to abolish it ...

In 1971 in Italy felt the wind of change. Just that (we speak of the song) this change was not known exactly what he was and how far we could push. There are still those who say that for many years the Italian song of success was only good at the mercy of translators from English and that what was happening in the country would never have entered the gates of the Sanremo Casino .

All this could add that the great Anglo-Saxon market was practically deaf to our tunes and that the change "generation" among the music stars in reality there ' had never been. The festival of 1971 is perhaps one of the last old-style festival, which precedes the "collapse" of the seventies but was first launched in the name of crisis. First: There is no air around a dispute, the mania of the "endless debate", also take the same singers who two days before the game come together to journalist and writer Giovanni Arpino theater Astra.

Here is a trio mica to laugh - Adriano Celentano, Domenico Modugno and Lucio Dalla, three different ways: beat, traditional and popular - about songs, singers and San Remo, there is the people who listen, that "questions" and stresses the artists - and in those days it was frequently - that the distances between the source and recipient of the 'work of art " you are hopelessly shortened. We had full pop, and everything is "within reach". Sometimes too much. But there is also a crisis around different about this time that the record companies, the eternal search of the artist to be launched and eager to please the share of emerging market: the one composed of young people crazy about fashion .

The great singers of the recent past (Morandi and Ranieri among men, the Vanoni and Mina Zanicchi among women), are beginning to desert Sanremo, because fear of paying for all, and slide down the slippery slope of a crisis, now in Italy, not only of talent (or voices, as claimed Lietta Tornabuoni on "Print" writing that now in Italy to sing were the likes of Bugs Bunny), but also to "report" with the public, and one thing that people are beginning to call feeling. Not at all what would become one of the biggest record of our times, Caterina Caselli, he suggests, on the eve of the twenty-first festival, to turn a singing competition in Woodstock ... Italian, because now it is impossible to ignore the music is really something else and that with the floral decorations and scenes "stolen" at La Scala in Milan, do not go just anywhere .

If we want to throw the image then, even that of 1971 is an Italy very sexy (sexy as the two beautiful this year and Canalis Belen), but a bit 'more cleaner than today. Skirts axillary (look at the photos of Marina Occhiena or conductive Elsa Martinelli), beauty of outline and the desire of happiness, reminding everyone - big and small - that the revolution of manners grew into the homes of each of us, and the comedies "pushed" with Lando Buzzanca and Giancarlo Giannini (cinema, five shows a day), would continue to cause scandal solo per pochi anni .

  Come sempre, in quel ’71 (e anche quest’anno!), a darsi battaglia stelle del passato, lontano e recente, outsider , rivelazioni e giovani venuti fuori - non dai talent televisivi ma - dai concorsi per voci nuove o “scoperti” qua e là lungo lo Stivale. Molti – e qui la differenza c’è eccome! – non sono per nulla dei divetti, e per andare a cantare a Sanremo prendono perfino le ferie. C’è chi non ha trovato la strada giusta ed è perfino impiegato alle Poste, e c’è chi sarebbe Carneades was a lifelong ... Next to the star Jose Feliciano, piece 90, of Puerto Rican Harlem, blind from birth and famous at the time, like Barbra Streisand and Frank Sinatra, the chorus "Alpine Milanese near Celentano, and then Nomads, Dik Dik, the Equipe 84 (next to From), Formula 3 (the newest group, near Baptist), New Trolls and Giants. Groups of Italian pop, all more or less, to make a fine show. In short, as always c'en'è for everyone.

The winners of the festival del ’71 (tre serate: dal 25 al 27 febbraio, per un evento che è, ancora, musicale e non televisivo come adesso) è comunque un bel terzetto (vedremo quest’anno, invece). Nonostante siano trascorsi quattro anni il “fantasma” di Tenco sembra aggirarsi ancora se non fra le stanze del Casinò di Sanremo almeno fra quelle dei giornalisti, che utilizzano il “metro-Tenco” per valutare stile e vocalità di quasi tutti i cantanti maschi. Ma forse esagerano un po’. Al primo posto si classificano Nada, rivelazione del 1969, e Nicola Di Bari “stella” del 1970; cantano Il cuore è uno zingaro , sono entrambi e per parte loro due cantanti "A few" but of peasant origin. Today you may encounter a few local theater or hidden. Nada is young and sometimes shy, and over the years also become a writer; Di Bari is the classic "poet 'a bit of honey but good school, all but forgotten in Italy (bisser victory in '72), will continue to be successful especially abroad.

Both have a singular voice, their song is the author of Franco Migliacci and Claudio Flying Brick (beloved, then by Renzo Arbore). In second place rank the rich and poor, and Feliciano, their song, What is, is a hymn to the people who leaves his home village, is a very catchy song and a bit 'sad, that with topical Over the years become almost "eternal". Classic song festival still to be written by Jimmy Fontana Migliacci and great friend of Feliciano .

"But the real winner of that edition of the festival is Lucio Dalla" by his quasi-autobiographical baby Jesus now renamed (due to censorship) 4/3/1943. A write is Gianni Borgna former Councillor for Culture of the Capital in its Italy Sanremo (Mondadori 1998), a book dedicated to the festival of festivals, and at that time that happened in the meantime, the Italian company. From the character is not new to the festival but this time his non-conformism intelligent appeals to everyone. It is a Catholic who presents himself as a protester who like boys. He offered, moreover, since the debut, a few points of reference in regards to the song that was. " It is a ferryman, from the old to the new festival. In addition to being a big news in terms of music, song writing da Dalla e da Paola Pallottino “allieva” di Aldo Palazzeschi (un testo “difficile” dedicato a una ragazza madre) diventa un grande successo internazionale, in Sudamerica, Giappone e Francia .

  A dar retta alle cronache sanremesi, Il cuore è uno zingaro è la favorita della vigilia. Come volevasi dimostrare: il pronostico viene rispettato. Ma le polemiche (impossibile che manchino, a Sanremo) non sono di quelle che fanno storia. Anzi. Feliciano e Dalla, risultano i più apprezzati dalla critica, e apprezzati da una buona fetta di pubblico che si is moved even heard them sing. Yeah ... it seems that even then 1971, full shower in dispute, the public has cried with emotion .

difficult (perhaps impossible), that all this will happen again in AD 2011 ... Chronicles of a time when the songs were so excited and appreciated by the "people", a time, from this point of view, will never return .

Vizio Tv Base, Stands

"Inside the crisis" and no

Carmelo Ferlito, a pupil of Paolo Sylos Labini, recently met in volume una raccolta di saggi sui temi economici più attuali, facendoli precedere da una presentazione di Jesus Huerta de Soto dell’università Juan Carlos di Madrid. Il risultato è un volume di 152 pagine (“Dentro la crisi. Combattere la crisi, difendere il mercato”, Solfanelli, 2010), a metà strada fra il saggio divulgativo e il volume per specialisti di teoria economia e storia dell’economia, che fa luce sulle attuali problematiche della crisi in atto .

  L’approccio di Ferlito è anch’esso a metà strada fra quello pessimista di chi osserva che da un secolo nessuna vera teoria è riuscita ad abbracciare e circoscrivere i nuovi fenomeni, e quello ottimista di chi pensa che il capitalismo non sia da considerarsi morto, e ciò almeno dal 2007 anno dello scoppio della crisi attuale. Scrive infatti: «… dopo il grande dibattito sul ciclo economico maturato in ambito austro-tedesco negli anni Venti e Trenta del Novecento, l’interesse per una teoria economica che fosse un tentativo di spiegazione globale della dinamica del sistema capitalistico sembra essersi spento…». Ma aggiunge anche che «La crisi economica non dimostra che il sistema economico capitalistico è finito; al contrario, essa ne testimonia la vitalità. Detto in estrema Summary: There is no capitalism without fluctuations. Marx is the first to realize ... ".

The author moves his criticism of the present management of the crisis (critical nature antikeynesiana), from the precise coordinates - all ' PURPOSE mentions several times the cycle theory of Ludwig von Mises, and then, Hayek, Murray N. Rothbard also Tugan-Baranovsky and Arthur Spiethoff - coordinates fall into four main themes. Capitalist development provides cyclical, and the crisis current is purely economic and "serious errors comes from the monetary authorities ',' the gravity of the crisis made it impossible to be able to continue to conceal the mistakes of economic policy, namely the heavy waste of public money put in sixty years of Keynesian policies of deficit spending ', the crisis did not "prove" Finally, the failure of the market but "the political and monetary management." A "formula" heterodox, as neither the general nor bad "bad" Ferlito on the banks. When contacting the lenders, the author continues, is not always appropriate to treat them as hostile to humanity .

This, more than anything else, the hope of those who look back to study the long history of international credit, not omitting the surprises "in the past there were not usurious banking forms of development that can facilitate the general economic system, "he says," including the weaker social classes ... ".

Today, the powerful of the world, according to Ferland, are committing the same mistakes at the end of Twenty years in America, they say, with their monetary policy actions, drugging a market that would require a rearrangement in the opposite direction. Also used to explain the example of a drug addict. "We used to use the comparison drug," he writes. "Whoever has the slightest familiarity with these issues knows that, to cure a drug addict in withdrawal symptoms, the only effective way is to leave free of drugs, let the crisis run its course ... we know to say something extremely unpopular ' he concludes, "but what we have seen so far there can only lead to these conclusions" .

An effective synthesis of our times of crisis also offers the Huerta de Soto. "In these circumstances," notes, "the best policy would be to liberalize the economy at all levels (especially the labor market) to allow the inputs (and particularly labor) to be redeployed quickly to areas profitable. Equally vital is the reduction of public expenditure ... The economic agents in general and businesses in particular, healed only by reducing costs (especially labor) and returning their loans. And to do what is essential is a very flexible labor market and a sector much more austere public .... " It seems that in Italy someone is listening carefully .