of bastards And I can think of many, especially in this time!
For example my phone (a Sony-Ericsson Z310i, for heaven's sake do not buy it!) And for the umpteenth time in 2 years (the third) has decided to make the black screen just two days before the expiry of guarantee, that Sunday, so I'm screwed.
But talk of the event movie this fall that the new work of Tarantino that I had the pleasure of seeing last night, the national day of release in Italy.
What, Grindhouse forget because this time we are not faced with a simple tribute to a film genre (although even in Inglorious Basterds the homage to certain films are present). Questo è il Tarantino puro e semplice, amato dalla schiera nutrita di fan e odiato da chi si sofferma alla patina di sangue e violenza presente in tutte le sue pellicole. A costoro vorrei ricordare che la violenza, il sangue, le guerre ecc. sono, volente o nolente, una componente insita nella nostra società moderna ed evoluta e da cui non possiamo scappare, nemmeno al cinema. Ma se si prende per il verso giusto, con ironia e un tocco di grottesco tutto può risultare più digeribile, per la serie "meglio riderci sù" questo è puro intrattenimento.
Senza divagare e dilungarmi oltre vi lascio al mio solito commento scritto in precedenza su film.tv.it:
Tarantino si dimostra come sempre tanto geniale quanto folle ed è That's what makes every film something exciting visual delight for the viewer. "Inglourious Basterds" brings together a diverse cast of characters and brilliant, a bit 'Reservoir Dogs and a little' Kill Bill, when drawing heavily from the imagination of all Tarantino movies. Dialogues convincing, funny and profound at the same time, are the basis of good agreement by all the cast. Frenetic action scenes, shots that are so capacitance of what just happened if not for its conclusion, the frenzy of violence and war. A long film but never slow to a purely cinematic affair, with some names and real places as a pretext to give vent to the imagination of Quentin. Many have called this film "World War II as many would have wanted" is absolutely true. Anger, hatred, revenge but especially (now the subject very dear to Tarantino) against the Nazi xenophobia is represented in "Inglourious Basterds" with ruthless coldness and cynicism. Give to Caesar what is Caesar's, and this is what happens in a final absolutely surreal and unlikely in reality, but a worthy culmination of a whirlwind of madness and exasperation Jewish Nazi. Tarantino pays the trust of its fans and not disappoint, showing that it is still possible to make the film original and exciting.
I hope it is clear that this is a Filmon, see it! It was a long time that did not go out so pleased with the room even if there is to say that I appreciate the good Quentin Tarantino gives birth to everything from his mind, perhaps a little 'sick but, I repeat, absolutely brilliant.
Enjoy and au revoir!
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