Richard Rogers with its modern, functional design and the numerous collaborations with the greatest architects of the twentieth century has left a deep mark in the history of British and world economy. At the Design Museum are on display his designs on paper and model, sometimes made, sometimes not, of buildings and architectural complexes, gathered around a range of issues: Public, Systems, Transparent, legible, Urban, Lightweight, Green. The result is an exhibition of dynamic, interactive and fun, even for non-experts.
The first proposal is to be the House Zip Up (1968-71), a prefabricated house in the shape of parallelepiped, quick to assemble with walls made of panels commonly used for the mini-truck (and therefore already produced for the general market) and with the same draft-proof windows that normally would go to the buses.
Richard Rogers and his wife wanted to get on a home that could easily be changed and that could adapt with the times and minimal cost, to the changing needs of its inhabitants. Given the abolition of fixed walls in favor of floating panels, the house could be bought in kit form, with the ability to add modules to existing. In addition to being innovative and functional, this project renewed dialogue between man and the environment because it was not the Zip House needs foundation but resting on supports of iron, could be built in the dreams of each niche.
At the end of the sixties began with Renzo Piano began a collaboration that will lead to the establishment of a Piano & Rogers "and the construction of what has been called the manifesto of high-tech, Centre Georges Pompidou in Paris [in the exhibition section to the Public]. Born from scratch on site parking, the Centre intends to redevelop an area rarely lived in the city itself as an innovative cultural institution, dedicated to modern art but host a video library and a library of music, design and cinema.
area of \u200b\u200bthe exhibition is called Lightweight presented the draft of another colossal work has become a symbol of another capital: the Millennium Dome in London. With this project, Rogers did not intend to build a building that was almost bending over, but his plan to mobility and the "temporary nature" of life in the Third Millennium Dome has made his mind to the lightness, economy and speed of construction thus ensuring their survival for only 25 years. The monumental resistance becomes obsolete over time while the grandeur takes cheap clothes, and even in architecture, the time shortened e precari del capitalismo di oggi.
Not to miss: lo Shangai Masterplan, progettato per un concorso per la riqualificazione della zona Lu Jia Zui di Shangai e presente al Design Museum come un modellino le cui differenzi aree si illuminanto seguendo il movimento del sole. Nelle ore mattutine si colorano gli uffici, nel pomeriggio i negozi, poi i parchi, la sera i ristoranti e la notte le abitazioni, il tutto in pieno rispetto di ambiente e sostenibilità . Non si vede la malavita..
The first proposal is to be the House Zip Up (1968-71), a prefabricated house in the shape of parallelepiped, quick to assemble with walls made of panels commonly used for the mini-truck (and therefore already produced for the general market) and with the same draft-proof windows that normally would go to the buses.
Richard Rogers and his wife wanted to get on a home that could easily be changed and that could adapt with the times and minimal cost, to the changing needs of its inhabitants. Given the abolition of fixed walls in favor of floating panels, the house could be bought in kit form, with the ability to add modules to existing. In addition to being innovative and functional, this project renewed dialogue between man and the environment because it was not the Zip House needs foundation but resting on supports of iron, could be built in the dreams of each niche.
At the end of the sixties began with Renzo Piano began a collaboration that will lead to the establishment of a Piano & Rogers "and the construction of what has been called the manifesto of high-tech, Centre Georges Pompidou in Paris [in the exhibition section to the Public]. Born from scratch on site parking, the Centre intends to redevelop an area rarely lived in the city itself as an innovative cultural institution, dedicated to modern art but host a video library and a library of music, design and cinema.
area of \u200b\u200bthe exhibition is called Lightweight presented the draft of another colossal work has become a symbol of another capital: the Millennium Dome in London. With this project, Rogers did not intend to build a building that was almost bending over, but his plan to mobility and the "temporary nature" of life in the Third Millennium Dome has made his mind to the lightness, economy and speed of construction thus ensuring their survival for only 25 years. The monumental resistance becomes obsolete over time while the grandeur takes cheap clothes, and even in architecture, the time shortened e precari del capitalismo di oggi.
Not to miss: lo Shangai Masterplan, progettato per un concorso per la riqualificazione della zona Lu Jia Zui di Shangai e presente al Design Museum come un modellino le cui differenzi aree si illuminanto seguendo il movimento del sole. Nelle ore mattutine si colorano gli uffici, nel pomeriggio i negozi, poi i parchi, la sera i ristoranti e la notte le abitazioni, il tutto in pieno rispetto di ambiente e sostenibilità . Non si vede la malavita..
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